From the living room red Dandini, his first feature film, Ascanio Celestini is Nicola and lives in the condominium of the saints "for the past thirty-five. In reality it is a mental power, told through a long monologue (if heading off early wins, half the film becomes a nightmare) between childhood memories and the steps skirts of the nuns who run the institution. Electric shock to restore order to the tragically heads "without order" of their hapless guests, the black sheep. Here it is the black sheep Nicola, the outcast, the last class, the tail of the company. One of the only ways out "expeditions" to the supermarket and how each activity from the asylum, even with rules to follow this literally: the avoidance of sub-brands, always take the products behind it, get into cash and let the nun pay . Here in the Supermarket finds Marinella (Maya Sansa) games teen's friend, a symbol of love that lasts a moment, that begins and ends, the only one who really drunk, dazed, almost leading to the "madness". She not only chose him because he had believed her to lie: Marinella pretended to have eaten a spider, Nicholas does not believed the false truth and ended quell'idillio love. Now the beautiful Marinella sells waffles and coffee machines in a corner of the supermarket through the eyes to one that has made cakes, also a tragic victim of the corrupt social system. These visits to the supermarket to become the head of Nicholas freedom and escape, a projection of the chaos strangled with the order, but who returns to claim its space, to claim the status of madness. Why then the rules must always be restored: "How do you do you undo "Pio Pio Pio Pio.
touching the surrender of Nicholas childhood, lived with the elderly grandmother (wearing stockings big pharmacy), old in the head rather than by birth and that it's often ridiculed:" This' egg is so cool that even smells of the chicken's ass, "is just the reconstruction of the disease of Nicholas, in fact, to give solidity to the film for its frankness. At times very surprising. rending his defeats, his defeats: the costume Tarzan replaced by that of the rabbit smelly, refusal to Marinella, jokes fools of the brothers, a mother crazy lying on a bed with no hair who does not pamper by a kiss, your mother, hurry otherwise then dies. "Considerable evidence
Giorgio Tirabassi in the double Nicola, his share ill and applaud the small Luigi Fedele, Nicola child, in the mimetic reproduction of linguistic tics and movements of Celestine. A nursery rhyme
of expressionistic style, set in the "60's, the fabulous 60's", those in the Kremlin and flavor with salt, sea flavor, taste of tablets Martian.
Who are the fools? They are Saints - say because Celestini-locked within the four walls of the asylum, welcome to the suffering of the world and leave the "healthy" free to run carefree on the grass of the meadows.
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