Thursday, January 27, 2011
Sunday, January 23, 2011
Plastic Santa Claus Outdoor Plastic
Delicatessen. Jean-Pierre Jeunet, Marc Caro. A boundless youth 1990
We are in France in the near future, unspecified, in the building partially destroyed by a butcher, here comes the ex-clown Louison , who after the death of the monkey Livingstone, his partner of gag , agreed to serve as goalkeeper. For a week no one here eats meat, just around the destruction, degradation, then where is the raw material seller of meat? The whale suffered
doubt, will be to think that casting the answer.
The society of carnivores living on the surface, in the visible part of the world, but the rebels occupy the basement vegetarian. Upon arrival of Lousion, which certainly is a po'magrolino, rub your hands all were it not for the daughter of the butcher, the clown who falls in love. With the help of the Troglodytes, the vegetarians of the lower floors, will in fact save the newcomer from the clutches of her father and her dream of love.
a successful cult French movie, grotesque and funny, full of images and masks that hide meaning comprehensive and concrete. You enter in the 90's, the avid consumption of nonsense, stupidity in a little daughter of repetitive actions, emblem the small assembly of brothers and despair of the terrible woman who tries to commit suicide in various ways, but that just does not make it.
Beautiful photography played on color saturation, especially in the very successful stage of the invitation to drink tea (the most beautiful in the film) when the daughter of the butcher takes off his glasses to look prettier in the eyes of Lousion and reminds the sequence junior Frankenstein by Mel Brooks. 
We are in France in the near future, unspecified, in the building partially destroyed by a butcher, here comes the ex-clown Louison , who after the death of the monkey Livingstone, his partner of gag , agreed to serve as goalkeeper. For a week no one here eats meat, just around the destruction, degradation, then where is the raw material seller of meat? The whale suffered
doubt, will be to think that casting the answer.
The society of carnivores living on the surface, in the visible part of the world, but the rebels occupy the basement vegetarian. Upon arrival of Lousion, which certainly is a po'magrolino, rub your hands all were it not for the daughter of the butcher, the clown who falls in love. With the help of the Troglodytes, the vegetarians of the lower floors, will in fact save the newcomer from the clutches of her father and her dream of love.
a successful cult French movie, grotesque and funny, full of images and masks that hide meaning comprehensive and concrete. You enter in the 90's, the avid consumption of nonsense, stupidity in a little daughter of repetitive actions, emblem the small assembly of brothers and despair of the terrible woman who tries to commit suicide in various ways, but that just does not make it.
Beautiful photography played on color saturation, especially in the very successful stage of the invitation to drink tea (the most beautiful in the film) when the daughter of the butcher takes off his glasses to look prettier in the eyes of Lousion and reminds the sequence junior Frankenstein by Mel Brooks.
Wednesday, January 19, 2011
Age Of Empires 2.0a Mac
TUSCANY FELIX , I ° Maggio, SOON TO TAKE THE LAW FOR CLOSED STORES
The new rules provide for a reduction of public holidays that are now 8 and will become 5 or 6 (New Year's Day, Christmas Day, Boxing Stephen Easter, 25 April and 1 May), but there will be no discretion on the part of the common 
The new rules provide for a reduction of public holidays that are now 8 and will become 5 or 6 (New Year's Day, Christmas Day, Boxing Stephen Easter, 25 April and 1 May), but there will be no discretion on the part of the common Before coming May will be the new regional law on shop opening hours on holidays. At least that is the intention of the Regional Trade Cristina Scaletti that, on the recommendation President Rossi, is working on the new text. The new legislation will reduce regional public holidays which is scheduled to close: I am now 8, will become 5 or 6, namely Christmas Day, Boxing Day, Easter, 25Aprile, PrimoMaggio and perhaps New Year. But these days you can no longer open, nor will be granted. It will make the consultation with social partners (dealers, unions and consumers) binding, whereas it is now mandatory, and the results are valid only ever about the town.
So if the Democratic Party of Palazzo Vecchio on Monday sent the ball into the region to avoid internal divisions and splits with the junta Renzi (who's next prime May with the deputy mayor and Councillor for Trade Dario Nardella provides for the opening of shops on the feast of workers), the junta is determined not to Tuscan refer the matter back in the corner, but a gamble. That is to change the law, also pressing for strong unions (just as a result of the controversy with the Mayor Renzi last year on May Day with shops open) have collected (and led to Rossi) over 50 thousand signatures. Many accessions (not just those of orders) to request legislation to curb the increasing deregulation of the openings in the holidays. A request had also advanced one of the leaders of large retail Turiddo Campaini, chairman of the supervisory board of Unicoop Florence.
stress to which Rossi himself has never shown insensitive. In its intentions, which never made mystery (known since the election campaign that led him to become president of Tuscany when they went to explain these concepts to Confesercenti) there is a determination to protect the religious and secular parties, those upon which the very identity of Tuscany and of these not just Christmas and Easter, but April 25 and May Day in fact. No coincidence that the unions who will deliver the signatures (was November 16) Rossi explained that he was just "thinking out a review of the regional law" is to meet the employees of the trade (About 350 thousand in Tuscany) is "to protect good traditions that are part of our identity and that I believe should be protected from invasion by a consumerist mentality."
Concepts reaffirmed and put blacks on white (9 December), even in the open letter to the Archbishop of Florence Monsignor Giuseppe Betori at the Immaculate Conception, he attacked the shop opening hours on holidays: "We must react and reject this attempt to reduce the identity of the person to the consumer, "said Betori. In the letter, in a very explicit, in fact, Rossi writes: "A believer feels hurt by non-compliance a religious holiday such as Christmas and Easter. But even for a non-believer that holiday may have an important and indispensable value. As a citizen, believer or non believer that is, April 25 and May 1 may have a similar value. "
Over a short track for the new regional law. In fact, the new rules, tells the commissioner Scaletti, will establish two main things. First there are days, and list them, which can not be opened. According to the consultation will have a decisive value. A net change compared to current law. Today, in fact (Article 80 paragraph 7 of Law 28 of 2005) is established that: "The exercises in the retail fixed place observe the closure of public holidays: January 1, Easter, Easter Monday, April 25, May 1, Aug. 15, 25 and 26 December." But then (paragraph 8) there is the possibility to derogate from (that is, to keep open) by the municipality 'need for proven techniques to relevant requirements of the service to the community or for reasons of public interest "after consultation with traders, trade unions and consumers. From tomorrow, but in the days fixed by law (secular and religious festivals: including May Day) is no longer possible for any exception and understanding with the social partners will be mandatory and binding for the municipality.
(Feat. The U)
Friday, January 14, 2011
Praise Dancing Costumes
Pupi Avati. 2010
There is always plenty of "first time", and the director Pupi Avati Bologna, so the above, with "A boundless youth," his first love story to the big screen, film that moved even if not convincing.
Lillo and Chicca are the protagonists, tested couple getting on in years: he sports journalist of great fame, she teaches medieval philology at La Sapienza. The first frames portray them as if they were still teenagers in love, happy, busy with a wonderful love story. Just a pain in their house too big: no offspring, no grandchildren, but in spite of this serious shortcoming, the two manage to overcome the lack of a child due to strong feeling.
And when memory begins to falter, and another between a teasing, "advanced age" who would never think of serious disease such as Alzheimer's Alzahimer regressive? And throughout the film flow on two narrative lines: the difficult present and the past of the disease Lino telling, with flashbacks, her regression to childhood.
Chicca with his intelligence and foresight, began to observe Lillo, he realizes that something is wrong, do not surrender, he studied a way to communicate with him while his mind slowly becomes childish, backwards through the maze of "a endless youth. "
anthem of a love that knows no age, weather, illness, ready to fight against nature, against fate, against the evil advances. Too much rhetoric? Yes, the message the film conveys, as well as the entire film will abound, you always know where the author wants going with this, any plot twist, again all too obvious ... but is it not the imitation of a mature love all this obvious? In many places the call to Benjamin Button is very strong, the disease is here to revert Lillo, Benjamin regress instead for "a strange case." After all, memories are everything except the "original", belong to us, are ours, we know them, our mind has forfeited them as a snapshot camera, but who could ever say that a thing did not kidnap and emotions each time? And here are their own, the memories of Lillian to speak his mind digging, he leaps in time, the images are revealed in schizophrenia of his sick mind. Chicca will the baby in her arms as desired and never arrived, Lilly will be lost within the confines of his adolescence, (but to finish where? Too mysterious end of the film) Lino, in fact, completely lost his perception of himself as a man returns a frightened child, refuge in the countryside near Bologna, where he was the teenager.
This story quest'atroce disease that, like all diseases, not a reason, emblematic of the dog Lillo child is called its "Why . Worth a test signal Vincenzo Crocitti , the family priest, here in his last appearance before his death. 
There is always plenty of "first time", and the director Pupi Avati Bologna, so the above, with "A boundless youth," his first love story to the big screen, film that moved even if not convincing.
Lillo and Chicca are the protagonists, tested couple getting on in years: he sports journalist of great fame, she teaches medieval philology at La Sapienza. The first frames portray them as if they were still teenagers in love, happy, busy with a wonderful love story. Just a pain in their house too big: no offspring, no grandchildren, but in spite of this serious shortcoming, the two manage to overcome the lack of a child due to strong feeling.
And when memory begins to falter, and another between a teasing, "advanced age" who would never think of serious disease such as Alzheimer's Alzahimer regressive? And throughout the film flow on two narrative lines: the difficult present and the past of the disease Lino telling, with flashbacks, her regression to childhood.
Chicca with his intelligence and foresight, began to observe Lillo, he realizes that something is wrong, do not surrender, he studied a way to communicate with him while his mind slowly becomes childish, backwards through the maze of "a endless youth. "
anthem of a love that knows no age, weather, illness, ready to fight against nature, against fate, against the evil advances. Too much rhetoric? Yes, the message the film conveys, as well as the entire film will abound, you always know where the author wants going with this, any plot twist, again all too obvious ... but is it not the imitation of a mature love all this obvious? In many places the call to Benjamin Button is very strong, the disease is here to revert Lillo, Benjamin regress instead for "a strange case." After all, memories are everything except the "original", belong to us, are ours, we know them, our mind has forfeited them as a snapshot camera, but who could ever say that a thing did not kidnap and emotions each time? And here are their own, the memories of Lillian to speak his mind digging, he leaps in time, the images are revealed in schizophrenia of his sick mind. Chicca will the baby in her arms as desired and never arrived, Lilly will be lost within the confines of his adolescence, (but to finish where? Too mysterious end of the film) Lino, in fact, completely lost his perception of himself as a man returns a frightened child, refuge in the countryside near Bologna, where he was the teenager.
This story quest'atroce disease that, like all diseases, not a reason, emblematic of the dog Lillo child is called its "Why . Worth a test signal Vincenzo Crocitti , the family priest, here in his last appearance before his death.
Subscribe to:
Posts (Atom)