Two hours and ten film which does not happen much. A betrayal, one of many, with a motel out of town by the prepayment. You have everything, basically "what I want more?" Yet something is missing and you wonder why in spite of a couple relationship to be happy, think of another. In a country where the economic crisis is not just 'media', as someone trying to make us believe, Silvio Soldini brings to the stage an Italy that you can hardly get to the end of the month, that of bank loans, accounts in red, the twenty-year mortgage, that's boring married life with children that create stress and disasters, with extramarital affairs ("We We've all ") and lies to get away and feel a little alive.
After realism Verga de Man to be, an original version of the talented Rohrwacher Alba, aka Anna, who seems to be happy with a modest steady job, a loving husband, good-natured, kind, caring, staring spouse adjust-all, then betrays ("Passino overtime on Friday, but on Saturday no eh!"). He just will not see this treason and give time, good to reflect, to its partners ("A holy "). In the life of Anna, in fact, will Domenico (Pierfrancesco Favino), married with two young children to support. It will be violent experienced physical and sexual passion every Wednesday ( Anna: You when you? Domenico: On Wednesday, I would have the pool) until you get a feeling ("I like your face when you come"). But then love like any self-respecting the hours in a motel to have sex, sms sent secretly stalking the fugitive will not be enough to see each other anymore. How to allow himself a clandestine love, when four hours, 50 €, is the price of a motel room in the Italian province?
A current and realistic film, it is thrilling and passionate, but exciting because it involves everyone.
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